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1. Everything Has a History Including Wigs | History News Network

Kurt Stennhas over 30 years of expertise studying hair. He had a distinguished twenty-year academic career as a Professor of Pathology and Dermatology at the Yale University School of Medicine and was for ten years Director of Skin Biology at Johnson & Johnson. He is the author of Hair: A Human History, out now from Pegasus Books. The word "wig" is derived from the word "periwig," which is what the English thought they heard when the French introduced them to their word: "perruque." In the 17th and 18th centuries, "periwig" referred specifically to a wig worn by men, composed of white curled human or animal hair of variable length and style. Today, polite society most often softens references to wigs with such euphemisms as "hair covering" or "hairpiece," eschewing the historic terms "toupee" and "postiche." Since earliest times, humans have used hair-mimicking head covers for societal and political reasons. As recorded in ancient texts, sculptures and paintings, wig use was widespread in ancient Egypt, especially in the life of the royals and their court. It was common for both men and women of the higher classes to shave their heads and then wear full wigs made of human hair or date palm fibers. Not only did wigs decorate the top of the head, but they also embellished the pharaonic chin. Men, and occasionally women wore long, cylindrical chin wigs at court as a mark of authority; these chin-wigs varied in presentations from straight to elegantly-braided. Wig-wearing extended to the high societies of ancient Greece and Rome. So important were these wigs to social life that some noble Roman women kept blonde household slaves in order to assure an ample supply of flaxen hair for their own hairpieces. Wig use waned during the Middle Ages and did not return until 1624, when Louis XIII covered his prematurely balding scalp with a long, dark, wavy-locked hairpiece. Said to be the first wig in any royal court since ancient Egyptian times, the hairpiece kicked off a new fashion that persisted for almost 200 years, ending with the French Revolution when royal heads and wigs were separated from royal bodies. In that pre-revolutionary society, wigs broadcasted aristocracy and power. By the end of Louis XIII's reign in 1643, wigs were accepted as required dress for nobles all over Europe and, in order to supply those wigs, the first wig guild was founded in France in 1665. Wigs were popular in all social classes, though people at the top of the social scale wore the biggest. These massive wigs not only covered the head but also the back and shoulders. In the extreme, an attractive wig would have incorporated into it model ships, birdcages, and flags. These massive wigs were difficult to take care of, as their size prevented regular washing and the powder used to dust them-meant to add a pale patina and made of flour and starch-fed a whole host of bacteria residing on the sweaty scalp. The wig fashions of England in the 17th and 18th centuries paralleled those of the French court. One style, the macaroni, is particularly notable. In the 1760s, upper-class, young men who had taken the Grand Tour of Europe often returned home from Italy with a craving for macaroni pasta-a food new to the English of that time-and a novel hairstyle: a large white wig, very high in the front with a ribbon down the back. These dandies (essentially the predecessor to the metrosexual, with their fastidious eating, affected speech, and painstaking fashion choices) became known as "macaronis." Reference to this fashion appears in the "Yankee Doodle" song of American Revolutionary tradition where a fellow comes to town and all he need do is "put a feather in his cap" in order to become "macaroni." In modern times, wigs remain a booming business. The size of the industry is difficult to evaluate, since wig-making is a fragmented process and there are many participants-hair merchants, wholesalers, fiber manufacturers, wig designers, wig-knotters, and wig beauticians-but workers in the field estimate that the total world market approaches five billion dollars. And modern wigs are as varied as their costumers-whether created because of illness (to give the appearance of good health or to hide a hair disorder); religion (to cover hairstyles or baldness as obligated by tradition); social pressure (to comply with a style or convention); or theater (to look the part of a particular character). Most natural hair in the current market comes from South American and Asia. In Peru, hair merchants drive to villages, set up a tables in the central plaza, and buy hair from the women who line up-the vast majority of whom are very poor and reply upon these visits as a source of income. In India, women donate their hair as a votive offering to Venkateswara, an incarnation of Vishnu who has the power to absolve sins. It is estimated that a quarter of the 50,000 pilgrims who visit temples daily in the Andhra Pradesh region of India donate their hair. The temples then sell the hair-more than one ton per day- to merchants. This hair is the least expensive of the high-quality wig hair on the market today. Though many contemporary wigmakers tend to be uneasy about using synthetic hair in their wigs, there are some incredible advancements being developed for wig use. At Aderans Ltd., a billion-dollar Tokyo-based company that makes and sells wigs serving about 40 percent of the Japanese wig market, engineers are currently developing more realistic synthetic fibers. One new fiber is actually a fiber within a fiber; the internal layering imparts to it greater tensile strength. Another fiber has a roughened surface that acts like a cuticle, in that reflected light gives a more natural reflection. Still another fiber is able to intake water giving it some of the curling properties of natural hair. Such engineering advances suggest that synthetic fibers will increasingly become part of the future cosmetic wig. Futurists envision a new barbershop that will offer much more than our traditional barbering or salon experience; it will embrace the facilities of an all-round Cosmetic Center. It will be a one-stop, "holistic" beauty care community for men and women of all hair types, reminiscent of a food court with multiple stations in a large, easily-accessible area. There will be exercise and nutrition coaches alongside tattoo services, eye- and nail-care stations, hair removal stations (with support for both permanent and transient hair growth cessation), hair transplant stations with robot assistance-and, of course, computer-assisted wig weaving, fitting and repair. Wig production has evolved far beyond its ancient origins, but modern wig-wearers have much more in common with their counterparts from antiquity than meets the eye. The desire to achieve a particular cosmetic look binds Lady Gaga to the Egyptian pharaohs, even though they seem worlds apart. The wig manufacturing industry may be on the verge of even more radical changes, but their clientele wants the same thing from the product.

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Where Can You Buy Human Hair Tracks That Are Sewn in in an Extremely Bright Shade of Red? 2

3. How would i dye my extensions Platinum blonde? (my extensions are dark brown & human hair)?

you need bleach. ive done it before and leave the bleach on for up to an hour depending on how blonde you want it. they might turn out kind of orangey though so i would recommend getting platinum blonde extensions and use black hair dye to make the coon tails.

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Today weve chosen Pixabay 10 best green color images. Enjoy the green choice of our team.Green is the color of nature. It is associated with growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety. Dark green is also commonly associated with money.There lots of shades of green, natural and man-made. Check them all in our collection!Image by ju1959jjjGreen is the prime color of the world, and that from which its loveliness arises. Pedro Calderon de la Barca Image by SkitterphotoI just need green. I need to wake up and see grass and squirrels. I dont want to see skyscrapers. Andre Leon Talley Image by cegohI always say that candy is the perfect studio food it keeps your energy going. Nick Cannon Image by jeonsangoI believe a leaf of grass is no less than the journey-work of the stars. Walt Whitman Image by Free-PhotosIf there is a future, it will be Green. Petra Kelly Image by cocoparisienneDont be a fish; be a frog. Swim in the water and jump when you hit ground. Kim Young-ha Image by ulleoColorless green ideas sleep furiously. Noam Chomsky Image by jplenioFor in the true nature of things, if we rightly consider, every green tree is far more glorious than if it were made of gold and silver. Martin Luther Image by NietjuhWhen youre green, your growing. Ray Kroc Image by SkitterphotoNo object is mysterious. The mystery is your eye. Elizabeth Bowen All images and videos on Pixabay are released free of copyrights under Creative Commons CC0. You may download, modify, distribute, and use them royalty free for anything you like, even in commercial applications. Attribution is not required·RELATED QUESTIONI painted my bedroom a dark teal color and need some suggestions on color of bed set or accent colors?Turquoise or white would look great with teal
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